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You can create a professional-looking animation organically using Adobe After Effects — without having to draw each frame. Any video you have available on your computer can be used with this tutorial. Eddy is a computer specialist and a technology geek, He has an exceptional experience is programming and analyzing any new technology entering the market. Table of contents how do i export after effects cs6 to mp4? See Create a layer and new Photoshop footage item and Edit footage in its original application.

One good way to prevent interlace flicker from thin horizontal lines in still images is to run the Interlace Flicker Removal action in Photoshop before you bring the still images into After Effects. Photoshop includes several video actions for utility purposes such as this. Regarding the other color modes available in Photoshop such as Bitmap and Indexed: Photoshop does not support layers in these color modes. The color mode is also displayed in the title bar of the document window.

Adobe Photoshop supports a transparent area and one optional layer mask alpha channel for each layer in a file. You can use these layer masks to specify how different areas within a layer are hidden or revealed. If you import one layer, After Effects combines the layer mask if present with the transparent area and imports the layer mask as a straight alpha channel. If you import a layered Photoshop file as a merged file, After Effects merges the transparent areas and layer masks of all the layers into one alpha channel that is premultiplied with white.

When you import a Photoshop file as a composition, vector masks are converted to After Effects masks. You can then modify and animate these masks within After Effects. If the layered Photoshop file contains clipping groups, After Effects imports each clipping group as a precomposition nested within the main composition. After Effects automatically applies the Preserve Underlying Transparency option to each layer in the clipping-group composition, maintaining transparency settings.

These nested precompositions have the same dimensions as the main composition. It is often valuable to group layers into Smart Objects in Photoshop so that you can import meaningful collections of Photoshop layers as individual layers in After Effects. After Effects also supports blending modes and layer styles applied to the file.

Editable Layer Styles. A layer with a layer style interferes with intersection of 3D layers and the casting of shadows. Merge Layer Styles Into Footage. Layer styles are merged into the layer for faster rendering, but the appearance may not match the appearance of the image in Photoshop. Before you save an Illustrator file for importing into After Effects, consider doing the following:.

Create your document in Illustrator using one of the Video And Film document profiles. In addition to creating a document at the appropriate size for video or film work, this creates a document with two artboards: one at the appropriate frame size, and one much larger. This only works for an Illustrator document with multiple layers imported as a composition.

To ensure that files rasterize most faithfully in After Effects, save your file in AI format instead of Illustrator 8. To separate objects in an Illustrator file into separate layers, use the Release To Layers command in Illustrator. Then, you can import the layered file into After Effects and animate the layers separately. If you are working with Edit Original to move objects and layers in Illustrator, import the Illustrator document into After Effects as a composition with document-sized layers not using the Retain Layer Size option.

When you import an Illustrator file, After Effects makes all empty areas transparent by converting them into an alpha channel. After Effects does not read embedded color profiles from Illustrator files. To ensure color fidelity, assign an input color profile to the Illustrator footage item that matches the color profile with which the Illustrator file was created.

If you need to retain blending mode information when importing a file into After Effects from Illustrator, save the document as an Illustrator CS2 document.

For information on preserving sharpness of vector graphics avoiding pixelation , see Continuously rasterize a layer containing vector graphics. You can import sequences of camera raw files much as you import sequences of other kinds of still image files. After Effects applies the settings for the first camera raw image in the sequence to all of the images in the sequence that do not have their own XMP sidecar files.

After Effects does not check the Camera Raw database for image settings. You can adjust a camera raw image after importing it. For information on how colors are automatically interpreted, see Interpret a footage item by assigning an input color profile. A common part of the motion-picture film production workflow is scanning the film and encoding the frames into the Cineon or DPX file format. You can import Cineon 4. Once you have imported a Cineon or DPX file, you can use it in a composition and then render the composition as an image sequence.

To preserve the full dynamic range of motion-picture film, Cineon files are stored using logarithmic bpc color. Work with Cineon files in a or bpc project—by default, After Effects stretches the logarithmic values to the full range of values available. Cineon data has a bit white point of and a bit black point of Values above are retained, but are treated as highlights. Rather than abruptly clipping highlights to white, After Effects interprets highlights using a gradual ramp defined by the Highlight Rolloff value.

You can modify the bit white point and bit black point input levels and the output converted white point and black point levels to match your specific footage items or creative needs. Choose whether to output DPX. The easiest—and recommended—way is to enable color management and assign an input color profile to a Cineon footage item in the Color Management tab of the Interpret Footage dialog box, corresponding to the film stock on which the footage was recorded.

If creating output for film, use the same profile as the output color profile so that the output file matches the film stock. One advantage of using color management features to work with Cineon footage items is that compositing with images from other footage types is made easier.

See Interpret a footage item by assigning an input color profile. If you need the settings for the interpretation of the Cineon footage item to change over time, then you can apply the Cineon Converter effect to a layer that uses the Cineon footage item as its source. See Cineon Converter effect. To open this dialog box, click the Cineon Settings button in the Color Management tab of the Interpret Footage dialog box.

Converted Black Point. Converted White Point. Current Gamma. Highlight Rolloff. Specifies the rolloff value used to correct bright highlights. To get over range values when working in 32 bpc, set the value to 0.

Quick Answer: Where does after effects render to? Why does after effects take so long to render? Related Articles. A burning lab notebook is what class of fire? How do i bring notebook stream back to system default? How watermark is made? How to print guides in photoshop? How to separate pages of a pdf? Popular question: How to wrap an image around an object in illustrator? How to change highlight color in pdf?